Printmaking allows for rich layering of color and textures

The focus of my work has evolved in exciting ways for me. Many of my earlier prints were introspective, focusing on the experiences and personal feelings I was exploring in my life. Motherhood — and living in the world as a woman — were important themes. I believe those experiences are universal and fertile ground for expression. 

I’ve long had a deep connection to nature, with plants and animals appearing in my work. In recent years, my focus has shifted even more to my relationship to the natural world. I’m working on a series of prints depicting threatened and endangered native plants. I’ve seen many of these strikingly beautiful plants on my hikes in the mountains of Washington State. I hope those viewing my art will be touched by the beauty of these plants and sense the potential loss should they become extinct. 

I recently began a series of prints focusing on women’s hair styles and the lengths we go through to live up to societal beauty norms. So far two of the prints are finished.

I’ve chosen printmaking as my medium because of the endless variety it offers. There are always new techniques to explore and fresh and surprising ways to combine them. Most of my recent work has combined either handmade woodblock or linoleum plates with collagraph and drypoint techniques. I make small editions of 8-15 prints. Each print passes through a hand cranked etching press up to a dozen times over my plates. A typical edition takes me about a month to finish.

Website: marianwachter.com

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